Biography of Matthew 
          Bates 
        
          Matthew Bates was born in Washington, D.C. in 1970 to an artistic family. 
          His father, Stephen Bates is a professional clarinet and bass clarinet 
          player in the Opera House Orchestra of the Kennedy Center in Washington, 
          D.C., and is a talented abstract watercolor painter. His mother Isabella 
          Bates teaches singing with an emphasis on healing meditative techniques, 
          and his sister Jessica Bates is a theater actress who currently lives 
          and works in New York City. Matthew attended the highly acclaimed Sidwell 
          Friends School where in his senior year he won the art award and was 
          captain of the Track team. At 18, Matthew left Washington to go to art 
          school in San Francisco at the Academy of Art College. While there he 
          learned many techniques in drawing, painting, and design.
         
          After two years of Art College, Matthew decided to take a year long 
          course in Firenze, Italy at Gonzaga University. This became the turning 
          point in his life, As an artist and as a young man because Firenze changed 
          everything for him. Before Italy, his paintings were abstract in style 
          as he would let the watercolor flow onto the page, much like his father. 
          Slowly, things began to change. In 1992 Matthew moved to Firenze, not 
          as a student, but as a person who was looking for a radical change in 
          his life. When he returned to Italy his paintings started to take on 
          an ever more realistic style, until in 1995 he created Holy 
          Water, this painting which defines his new technique of using photographs 
          to get primary information for his paintings. This would be developed 
          further in his later works, such as Notte, 
          and Pitti 
          Lillies.
        In 1998 Matthew 
          was introduced to the computer which would further help his developing 
          style. By being able to create images on the computer before the start 
          of a new painting, Matthew was able to see what a project would look 
          like before the first brushstroke touched the canvas. In this way Matthew 
          was able to make commissions for clients and show them his computer 
          work-ups before the project started. This can be seen in such paintings 
          as: Lucia, Tuscan Dream, Anne's Poppies, Singing Beach and Waterfall, 
          all commissions that were begun with computer work-ups. 
        As the new millennium 
          rolled around Matthew added a new aspect to his growing list of techniques 
          by getting a digital camera. The digital camera has brought the use 
          of photographs in his work to a higher level. With the digital camera 
          Bates was able to take many more pictures and see them instantly, ever 
          increasing the quality of his images. Now the creation of his realistic 
          oil paintings was taking on even greater quality and the paintings began 
          to take on even more details, and larger scale. Some examples of this 
          are: Villa 
          Cafaggio Still Life, Santa 
          Trinità Bridge, and Piazza 
          Frescobaldi .The last two represent Matthew's latest development 
          which is the bending of space and time. By adding photographs together 
          Bates creates an image which stretches reality with three perspective 
          points to his image. For example, if you are looking, in real life, 
          at one side of the Santa Trinità bridge, you cannot see the other 
          side if you were to be standing in the exact spot where Matthew took 
          his photographs, however in the painting we are able to see both sides 
          at once due to the adding on of photographs from left to right. Matthew 
          calls this technique "Magic Realism" because it allows us 
          to see a realistic image in an magical context. It is as if we had three 
          sets of eyes, spying on the world all at once. One of Matthew's latest 
          paintings is called Campanile 
          di Giotto. In no other painting is this new technique more pronounced, 
          because Matthew took his photographs from only 20 meters away from the 
          base of the tower. In this way, if you were there, and looking at its 
          base you would not be able to see the top of the bell tower, but Matthew 
          adds new dimension by bending space and time to include three perspective 
          points So that we can also see the top of the tower.
        Matthew's technique 
          has been molded by mathematical principals as well. In several of his 
          paintings he has used Fibonacci Rectangles, or the Golden Ratio, to 
          create the design of the painting. 
        Matthew is now 38 
          years old and his career is still in its beginnings. However if we look 
          back at his 25 years of painting we can see that the development is 
          that of a much older artist. Matthew is not afraid to use new technologies 
          in his work while respecting the historic qualities that have been handed 
          down to his through the ages. Firenze has been his greatest teacher, 
          and Matthew is a good student. Matthew said: "Sometimes I can feel 
          Michelangelo look over my shoulder while I'm painting and tell me that 
          I can do better!"
        Bates's Paintings 
          can be found in private collections from Alaska to Venice, and he still 
          is living and painting in Firenze to this day.
          Selected Exhibitions: 
        
1997 Artisans Gallery, Washington 
          D.C.
          1998 Watergate Gallery, Washington D.C.
          1998-2000 Mannaioni Gallery, Firenze
          1998 Piansa Gallery, Firenze
          1998 Kennedy Center, Washington D.C.
          2001 Ken’s Gallery, Firenze
          2001 Florence Art Gallery, Firenze
          2001 Art-E-Mail, Marbella, Spain
          2002 Agora Gallery, New York City 
          2002 Art-E-Mail, Marbella, Spain
        2002 American Consulate (Firenze, 
          Italy)
          2003 Enoteca Giraldi, Firenze
          2004 Figaro Gallery, Annandale, Virginia 
          2005 Figaro Gallery, Annandale, Virginia
        2006 Flowers That Last Forever - 
          May 13 - June 11, 2006 - Figaro Gallery, Annandale, Virginia
        2006 "Art 
          in Progress" November 5, 2006 - Leonardo TV (Italian "Style" 
          Channel)
        2008 NEEL Gallery, Paris, France
        2009 NEEL Gallery, Paris, France
        2009 NEEL Gallery, Cannes, France
        2010 Galerie Neel, Cannes, France
        June 11 - 25, 2010 "Oltre La Prospettiva"("Beyond the Perspective")- (One Man Show) at Padaglione Berti - Sesto Fiorentino (Firenze)
        October 2 -17, 2010 "Le Scatole nel Mondo - Il Mondo in una Scatola" in Palazzo Pretorio, Sesto Fiorentino, Firenze (Collective Show)
        December 12-19, 2010 "Giuseppe Pescetti" - in Palazzo Pretorio, Sesto Fiorentino, Firenze (Collective Show)
        December 15, 2010 "Le Scatole nel Mondo - Il Mondo in una Scatola" Theme: Reflections on Water in Palazzo Pretorio, Sesto Fiorentino, Firenze (Collective Show)
        April 9, 2011 "Know Breast Cancer -March Madness " to benefit National Breast Cancer Prevention Project/Know Breast Cancer, Manchester, MA (Collective Show)
        2011 Galerie D'Orsay, Boston, MA USA 
        Contact:
        Matthew Bates
        Telephone: +39 055 
          483827
        Cell. +39 3337996509
        matteobates@gmail.com 
          
        Visit 
          Matthew Bates Galleries: Flowers 
          - Still Life 
          - Cityscapes 
          - Landscapes 
          - Statues 
          - Email 
          - Acrylic
        ©2011, 
          Matthew Bates, Firenze Italy